Having the UPC number will at least help in pulling up the detailed listings of the CD contents. And, not all appeared (such as the Joshua Rifkin recording). Not so easy to winnow through- there were over a thousand, most by ensembles. I was looking for solo piano performances on CD of tangos mentioned in the posts above. Maybe it's too much information, but I thought I'd pass it on. His CD is available through where there is good bio material of Nazareth. He has a self-published CD and posts alot of Nazareth recordings on and YouTube. Ressurecting alot of his more obscure pieces. There is a fellow, I think he's in Argentian, by the name of Alexandre Dias who is a one-man Nazareth library. It must have reminded Joshua Rifkin in the same way because he made a wonderful CD called Rags and Tangos, playing the music of Nazareth, James Scott and Joseph Lamb (probably leaving out Joplin because he had already recorded so much of that before.) This CD was my into to Nazareth, but I can't say I've been all that successful in playing him. If you can play Joplin well, you will easily manage these pieces, too. Of course, this is Brazilian music, but it is clearly a melange of many different influences as were Joplin's pieces. It reminds me a lot of Joplin's ragtimes, just different in quite a few ways: the rhythm, the melodic development, and the harmonies. 3 (Albéniz) * Cielo de encantos (Campos) * El velorio (Cervantes) * La tarde está amorosa (Cervantes) * Los tres golpes (Cervantes) * Tango (Hinson) * Solace (Joplin) * Duvidoso (Nazareth) * Espalhafatoso (Nazareth) * Famoso (Nazareth) * Fon-fon (Nazareth) * Garôto (Nazareth) * Matuto (Nazareth) * Odeon (Nazareth) * Ranzinza (Nazareth) * Remando (Nazareth) * Sagaz (Nazareth) * Malgré tout (Ponce) * Tango, Op. The selections range in difficulty from intermediate to moderately difficult. Included are delightful pieces by composers Isaac Albéniz, Ernesto Nazareth, Manuel Ponce, JoaquÃn Turina and others. The tangos in this collection are not traditional Argentinean dance pieces, but rather instrumental pieces written specifically for the piano. Remando (Tango)- Ernesto Nazareth (contributor)ĭifficulty: Intermediate / Early Advanced Passaros Em Festa: Valsa Lenta- Ernesto Nazareth (contributor)
Ouro Sobre Azul: Tango- Ernesto Nazareth (contributor) Odeon: Tango Brasileiro- Ernesto Nazareth (contributor) Nenê: Tango- Ernesto Nazareth (contributor) 40 pages.Īmeno Resedá: Polca- Ernesto Nazareth (contributor)īrejeiro: Tango- Ernesto Nazareth (contributor)įaceira: Valsa - Ernesto Nazareth (contributor)įerramenta: Tango / Fado Português- Ernesto Nazareth (contributor) Nazareth's position in Brazilian music is often compared with Scott Joplin's historical importance in American music. Written for late intermediate to early advanced level pianists, both are included here, along with four other tangos, two waltzes, and a charming polka, "Ameno resedá". His tangos "Brejerio" and "Odeon" were immensely popular during his lifetime and continue to be two of the most popular pieces ever written by a Brazilian salon composer. Applebyĭifficulty: Late Intermediate / Early Advancedīrazilian pianist/composer Ernesto Júlio de Nazareth (1863-1934) composed approximately 210 works for the piano. Http:/ / Products/ Brazilian-Tangos-and-Dances-00-16775.aspx These, I've never seen in any store, but I've had good luck with other Alfred "Performance" and "Masterworks" editions. I happened to run across these books on the Alfred site when I was searching for some other pieces (which I did not find) the other day. Thanks for the post on Nazareth's tangos. One needs to have a solid technique to elegantly present them. Nazareth's pieces are actually not that easy to play, I think. However, there is a certain cultural beauty and a unique voice that shines through that to me sounds great and inspires my playing. It's not as dense and intricate as, say, a Hindemith sonata. Some might argue this music is not on a par with hard-core classical music, and you might be right. I especially love a tango piece entitled "Matuto." This music is lively, vivid, agile, with beautiful melodic gems cropping up more often than not. Their tango appeal is quite unique, though.
Now, I've started to discover this great music.
I had bought the volume many, many years ago, but was then technically unable to efficiently sightread through them and so filed it away, being preoccupied with other music at the time. I just stumbled on a little volume with about 10 Tangos for solo piano by Ernesto Nazareth.
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